A history of the athenian acropolis

In he led a successful military campaign in Corinth and sponsored the establishment of Athenian colonies in Thrace and on the Black Sea coast. After the second Persian invasion of Greece inAthens and its allies throughout the Aegean formed the Delian League, a military alliance focused on the Persian threat. Three years later, a coinage decree imposed Athenian weights and measures throughout the league. By the time Pericles was elected strategos, the league was well on its way to becoming an Athenian empire.

A history of the athenian acropolis

The Greek Theatre Selections from: The Book of the Ancient Greeks: The Greek drama began as a religious observance in honour of Dionysus.


To the Greeks this god personified both spring and the vintage, the latter a very important time of year in a vine-growing country, and he was a symbol to them of that power there is in man of rising out of himself, of being impelled onwards by a joy within him that he cannot explain, but which makes him go forward, walking, as it were, on the wings of the wind, of the spirit that fills him with a deep sense of worship.

We call this power enthusiasma Greek word which simply means the god within us. From very early times, stories of his life were recited at the religious festivals held in honour of Dionysus, and then stories of other gods and of the ancient heroes were told as well.

It was from these beginnings that the drama came. Originally, the story was told in the form of a song, chanted at first by everyone taking part in the festival, and later by a chorus of about fifty performers, and at intervals in the song the leader would recite part of the story himself.

By degrees the recitation became of greater importance than the song; it grew longer, and after a time two people took part in it and then three; at the same time the chorus became smaller and of less importance in the action of the drama, until at last it could consist of only fifteen performers.

A Greek drama was in many ways much simpler than a modern drama. There were fewer characters, and usually only three speaking actors were allowed on the stage at once. There was only one story told and there was nothing to take the attention of the audience away from this.

The Chorus, though it no longer told the story, was very important, for it set the atmosphere of the play, and lyrics of haunting loveliness hinted at the tragedy that could not be averted, because of terrible deeds done in the past, or if, indeed, there might be any help, the imagination was carried forward on wings of hope.

The Chorus also served another purpose. In the modern drama, when the tragedy of a situation becomes almost too great for the audience to bear, relief is often found in some comic, or partly comic, episode which is introduced to slacken the tension. Shakespeare does this constantly. But comic episodes were felt to be out of place in a Greek drama, and therefore when a tragic scene had taken place, the Chorus followed it by a song of purest poetry.

In one play of Euripides, a terrible scene of tragedy was followed by a song in which the Chorus prayed for escape from such sorrows on the wings of a bird to a land where all was peace and beauty. Could I take me to some cavern for mine hiding, In the hill-tops where the Sun scarce hath trod; Or a cloud make the home of mine abiding, As a bird among the bird-droves of God.

And the song goes on the carry the imagination to a spot Where a voice of living waters never ceaseth In God's quiet garden by the sea, And Earth, the ancient life-giver, increaseth Joy among the meadows, like a tree. Hippolytustranslated by Gilbert Murray. In the great Greek dramas, the Chorus is a constant reminder that, though they cannot understand or explain them, there are other powers in the world than the wild passions of men.

The great dramatic festival of Athens was held in the spring in the theatre of Dionysus, to the south-east of the Acropolis. The theatre in Athens never became an everyday amusement, as it is today, but was always directly connected with the worship of Dionysus, and the performances were always preceded by a sacrifice.

The festival was only held once a year, and whilst it lasted the whole city kept holiday. Originally, admission to the theatre was free, but the crowds became so great and there was such confusion and sometimes fighting in the rush for good seats, that the state decided to charge an admission fee and tickets had to be bought beforehand.

The Glory that was Greece

But even then there were no reserved seats, except for certain officials who sat in the front row. In the time of Pericles, complaints were made that the poorer citizens could not afford to buy tickets, and so important was the drama then considered, that it was ordered that tickets should be given free to all who applied for them.Aug 21,  · The so-called golden age of Athenian culture flourished under the leadership of Pericles ( B.C.), a brilliant general, orator, patron of the arts and politician—”the first citizen” of democratic Athens, according to the historian Thucydides.

Phidias created a gold and ivory statue of Athena which stood either in the Parthenon, known as the Temple of Athena Parthenos ('Athena the Virgin’ in Greek), or in the centre of the Acropolis near the smaller temple of Athena. The Athenian Acropolis History Acropolis history is difficult to pin down in its early years, as it disappears into myth and legend. Originally an acropolis was an easily defensible position and was usually the home of the local king or ruler. The site on which Athens stands was first inhabited in the Neolithic period, perhaps as a defensible settlement on top of the Acropolis ('high city'), around the end of the fourth millennium BC or a little later. The Acropolis is a natural defensive position which commands the surrounding plains.

The Athenian Acropolis: History, Mythology, and Archaeology from the Neolithic Era to the Present [Jeffrey M. Hurwit] on leslutinsduphoenix.com *FREE* shipping on qualifying offers.

This is a comprehensive study of the art, archaeology, myths, cults, and function of one of the most illustrious sites in the West. Providing an extensive treatment of the significance of the site during the 'Golden Age' of. History of the Acropolis Geography.

The Acropolis rock is part of a Late Cretaceous limestone ridge () that cuts through the Attica plateau in the northeast to the southwest axis and includes the Likavitos hill, the Philopappos (Museum) hill, the hill of the Nymphs, and the leslutinsduphoenix.com rock rises from the basin about 70 meters and levels to a flat top meters long by meters wide.

The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historic significance, the most famous being the Parthenon.

The first of Phidias’s monuments to Athena, the bronze Athena Promachos, was one of his earliest leslutinsduphoenix.com was placed on the Athenian Acropolis about According to the preserved inscription, it measured about 30 feet (9 metres) high.

A history of the athenian acropolis

From The Delian League To The Athenian Empire Thomas Ash Introduction. When Athens began to emerge as a Greek city state in the ninth century, it was a poor city, built on and surrounded by undesirable land, which could support only a few poor crops and olive trees.

Acropolis of Athens - Wikipedia